The Wall Street Journal dubbed musician Salme Dahlstrom a “savvy singer” and “music licensing queen” when, like Moby before her, she managed to license every track from her 2008 album The Acid Cowgirl Audio Trade to various corporations and television programs. At the time, Dahlstrom was not only just getting noticed, she was just getting started. “C’mon Y’All,” one of catchiest numbers on an album of catchy numbers climbed Billboard’s
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