In 2015, Aoi Shibata and Masato Nishiyama went to a secondhand shop together with a ¥10,000 note in their pocket and bought themselves the best they could afford with it: cheap, second hand synthesizers from the 90s. Thus, the journey of the analog synthesizer duo Pasocom Music Club (パソコン音楽クラブ) had begun. Fast-forward to 2020 and the duo has transformed the synthesizer music landscape in Japan beyond the legacy of Yellow Magic Orchestra.
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