Inspired by Eastern philosophy, in particular the I Ching, Glasgow-based Iona Fortune's music is loosely fitting in with Fourth World concepts imagined by Jon Hassell, and indeed she meshes traditional guzheng and gamelan with lustrous tones from a Synthi AKS that provides an incredible sub-bass throb. However, Fortune’s is an exercise in deep contemplation that isn’t afraid of baring it’s teeth. As opposed to so many Ambient albums riding revivalist waves right now
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