No tango debut in recent years has been as intriguing and as magical as CRISTÓBAL REPETTO, the long-awaited eponymous album of a 24 year old kid who sings like the high-pitched, nasal masters of yesteryear. And the fact that his introduction to European audiences is in the expert hands of eDGe (in an ever-appropriate display of justice by the celestial music gods) is as appropriate as it is symbolic: according to the Uruguayan press, `Cristóbal Repetto swallowed a grammophone`.
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