Caitlin Pasko’s songs are rooms where silence and language are granted equal weight. Her singing is precise, but soft and reserved, and her piano-playing drifts and floats like the work of Satie or Debussy, thriving on the tension between dynamics, tempo, and space. Her new LP Greenhouse -- the first to follow 2017’s Glass Period EP -- derives its name from structures that protect plant life from unfavorable external conditions, and from environments in which flora adapt in order to survive and sustain other life forms.
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