The vocal ensemble BLUE HERON combines a commitment to vivid live performance with research into original source materials and historical performance practice. Blue Heron’s prin- cipal repertoire interests in the last few years have been late fifteenth-century Franco-Flemish polyphony, sacred and secular Spanish music between about 1500 and 1575, and neglected early sixteenth-century English music, especially the rich and unexplored repertory of the
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