Few American cities can claim a more consequential musical footprint than Houston. The city gave the world chopped and screwed hip-hop, a style defined by slowed-down, manipulated beats pioneered by DJ Screw in the early 1990s, while also playing a formative role in blues, zydeco, country and western swing, and Southern soul. Its artists span Beyoncé, Megan Thee Stallion, Travis Scott, Lightnin' Hopkins, and ZZ Top, a range that speaks to the breadth of what Houston has produced. That legacy feeds directly into a live scene anchored by venues like White Oak Music Hall, with its multiple indoor and outdoor stages, the 5,000-capacity 713 Music Hall downtown, and Anderson Fair, a singer-songwriter institution operating since the 1960s. Houston does not traffic in one sound. It never has.

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