After Lane Steinberg's first band The Wind went into hiatus, he decided to take a break from the constant live playing and learn how to use the recording studio. Moving to New York, he struck a deal with Hoboken's famed Water Music: he would manage the studio while gobbling up all the unused studio time for his own use. The result was the legendary Wall of Orchids recordings. Playing everything himself, Lane used the 24-track enviroment to carefully construct pop songs with deep arrangements in the manner of his heroes Spector & Wilson.
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