Humid summer nights, cyclists in bodysuits, be they alone or in packs like wolves, are excessively interesting to the idle bystander. This qualification applies equally to neo-classical-pop-ambient-minimalist (swedish) Death Polka. Composers of obscurity with medallions of contradiction, this chamber music assembly from Québec City, formed in 2003, gives an impromptu ride into the burlesque, the superficial, the delicate. Their harmonic development
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