Named (maybe?) after some not-too-noteworthy Grateful Dead hoedown (off the Wake of the Flood LP, FYI), Eyes of the World here means the banner-in-the-sky under which Brooklyn’s tenders of the wandering psych flock, Shepherds, communed with Raccoo-oo-oon’s singer/shredder Shawn Reed for a C50-something of carefully cultivated rhythmic primitivism and early man ghost-chanting. Non-Horse-play tape loops spool in the shadows while J Earl percussion
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