Robert Curgenven (1974) works with harmonics, textures and resonance as articulated not only through instruments/objects, in space and place, but also in time and the dislocation of the remote, exploring slowly shifting layers in the fabric of fields of perception. Creating vast landscapes from carefully detailed recordings through to immersive resonances via deft manipulations of sound pressure - described by one audience member as “like a punch in the face while elsewhere flowers bloomed.“
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