Nalpas

his first contact with musical manipulation methods might have been in the middle 80s by putting scotch tape on big band records. beside playing written music by bach and avantgarde composers on his classical guitar he continued creating music including all kinds of noise and sound. he played in rockbands and experimental projects using buildings, musicial instruments, electronics, junk, cars, etc. as sound sources. in the late 90s nalpas gained his