Christopher Fleeger

n the school of the acousmatics, Fleeger works with sound disembodied from its origin through field recording and makes use of the computer as a tool for cataloging timbre and establishing a musical network. Much of his performance material uses gestural sensors and touch panels to control the interaction between recorded soundscapes and live input from another player or from sonic activity in the performance space. Over the years Fleeger has acquired a reputation for unusual and ambitious listening trips